Chariotwheel

Yeah, it’s nothing like John Wick, unless John Wick just stands for someone shoots guns, which is hardly specific.

I’d say a more proper comparison would be a brighter Gunslinger Girls.

I don’t like Ai no Idenshi very much. It feels like a bunch of half-baked short stories clustered together without much love. I have seen shows handle this format a lot better.

The ideas are neat, but I think the execution is lacking.

Aside from mysteries Ungirl also has very fun and interesting characters going for it, as well as interesting directing during dialogues. A lot of the anime is characters talking and it’s never boring, because of these two factors.

Knives? Volleys should be made with bows!

Hear me out: Netflix live action remakes that are all set in American high school. Get whoever did the Death Note adaptation, lets rock!

It’s not just the current situation. You just need to look at how Miyazaki reacted to most of Goro’s work. The only reason why Goro even got to direct was Toshio Suzuki.

Copyright almost never applies to the consumer and is more meant to prevent other companies from reselling unofficial recreations or bundles, but of course that depends on laws of your state.

I think the issue is that people think they’re still consumers, because they’re not companies. Uploading an anime, heck uploading a clip from an anime to YouTube is already going above what being a consumer it. Not a company, certainly, but you’re already above consumer and people keep getting confused by it.

I mean, mostly, yeah. And the parts that aren’t him are his other friends in a similiar age range. I don’t think Ghibli has any young talent of that caliber. A lot of amazing animators, but nobody that would have left a visible impression to continue carrying the torch.

And I am not sure someone else would have the same respect as Miyazaki who can yell at them for not having enough detail in their movement. You take that from a grandmaster of the art, but would you take it from anyone?

The studio did approach Miyazaki’s son Goro Miyazaki many times to become a successor to run the studio, but the younger Miyazaki has so far refused all offers, and Hayao Miyazaki also opposes his son becoming the studio’s head.

Man, Goro’s relationship with his father is an interesting story on it’s own. For most part of your childhood your father is barely there, mostly producing movies for other children and when you’re grown up you try to catch up to your father in his industry and he thinks that you’re fucking worthless.