• 4 Posts
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Joined 1 year ago
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Cake day: July 18th, 2023

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  • I know AI translation is improving in many cases, but this feels like it’s going to go badly.

    A lot of people will barely put up with MTL on free sites, and there are more than enough properly translated works out there as alternatives that there isn’t a reason to put up with bad translation. I can see the service bombing pretty badly. But if it doesn’t bomb we then see a justification for flooding the market with lower quality works.

    I don’t think AI translation is at a point where this doesn’t look like a lose-lose situation. It’s just testing to see whether the market can be enshittified in a profitable way.














  • I have a few I like to talk about with these sorts of questions.

    • Macbeth: I’ve read this a fair number of times and every time I’m enthralled, I get chills, I want to cheer as Macduff walks in holding Macbeth’s head at the end. It’s chock full of everything English class tells people to look for in literature, except it’s a thrilling read to boot. I want to see it performed so badly. It’s probably the best thing I’ve ever read and the only downside is that it’s actually a play.
    • 2666 by Roberto Bolano: This is one of those books where there are so many layers to peel back that, as I read it, I spent a lot of time thinking deeply about what Bolano was trying to communicate and how the disparate storylines connected and what that all meant to me. It’s such a sprawling narrative that it’s hard to even describe what it is, except that it’s vaguely about a reclusive author and a series of murders in a Mexican city. It hits on so many things that it’s hard to even know what to say about it other than it’s incredible.
    • And as a maybe more normal recommendation for this community: The Malazan Book of the Fallen is far and away my favourite fantasy series. Incredible worldbuilding, so many fun and interesting characters, plots that coalesce into absolutely wild climaxes, and underlying themes that provide a bit of hope even in the face of a grim world and plot. Absolutely fantastic series.

  • Misfit of Demon King Academy vol 6: If this volume is an indication of where the series is going then I’m 100% on board. Much more mystery, much more abstract problems, much more ideological conflict. Anos struggles (for some definition of the word) with the strength of his opponent’s conviction as much as their combat strength, and as things go on he’s never entirely sure whether he has the right information on anything. Really good volume.

    Brunhild the Dragonslayer: This was such a good revenge story. The author’s note really hits the nail on the head: they try to aim towards a happy ending, the plot tries to move that way whenever it can, but would it really be that convenient? I think this is more like a series of related one shots than a traditional LN series, but I’m really excited for the next one anyways.

    This week: Apothecary Diaries vol 11, which I had apparently entirely missed the release of. Oops.


  • I’m racing to get ahead of the anime on Misfit of Demon King Academy. And by racing I mean reading slowly.

    Misfit of Demon King Academy vol 4 act 2: This volume is really where this series shows that the LN works better because what was a confusing clusterfuck in the anime is an interesting climax to the whole Avos Dilhevia arc. Obviously not an actual problem for Anos to overcome, but there’s so much of the world and characters tied into the result that it becomes really good.

    Misfit of Demon King Academy vol 5: I mean, Anoshu going to school is a stupid concept but pretty funny. I appreciate the redemption of Emilia and the hero academy students, and people being confused about Anos trivially killing gods will never not be fun for me. Kind of a scattered, weird volume, but I enjoyed it on the whole.