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Cake day: June 21st, 2023

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  • This thread is like 2 months old and I’m rewatching the episodes of the threads I missed on, so let’s go through this via screenshots.

    I’m pretty convinced this toilet sign is Ougi and Nadeko. I think it’s easy to forgot that Ougi is a boy now.

    We finally got the opening for Nademonogatari which features both Kana Hanazawa and Saori Hayami. I don’t know if Nademonogatari is the first time I’ve heard the two together. Both their voices share this characteristic I can’t describe in English but when you hear it, you might get what I mean.

    I’m certain this is a callback to an older scene in the series. Either Koyomi or Ougi meeting with Tsukihi. You can also say Akira if you’d like.

    Marina Inoue sounded completey different here, obviously because this isn’t the same Sodachi we knew. She’s a lot more compassionate and sister-like to Nadeko. I didn’t even recognize her until Nadeko said so herself. I’m actually quite glad Sodachi is doing better here and didn’t turn out to be a one-off character in the series (as she kind of came out of nowhere previously).

    There really is something about girls cutting their hair short when they want to change something about themselves. It’s a really interesting phenomenon that boys don’t really have an equivalent to. More interestingly I guess, this scene parallels with Hitagi and Koyomi during Mayoi Snail.

    By far the shots that reminded me that Monogatari is “peak cinema”, as they say. Live action shots, somewhat reminscent of early 2000s handhelds composited with a running topless Nadeko.









  • I mentioned last time how Nadeko changed a lot throughout the series. Now, different faces(phases) of Nadeko materialize thanks to Yotsugi which made me realize that Nadeko changed much more than I had originally thought. We have Current-Nadeko, Meek-Nadeko, Wrath-Nadeko, Flirty-Nadeko, and God Nadeko. That’s a lot of Nadekos.

    Yotsugi also mentioned Gaen Izuko and Kagenui Yozuru so I wonder if they’re going to appear in this season. Gaen is also one of my favorites. Speaking of appearances, Oshino Ougi makes one and seems to be a major character this season. I’ll have to remember that Ougi is a boy now.

    As usual, this episode is a visual treat. It’s much closer to Bakemonogatari (Season 1) than any of the other seasons I think. It really looks like mixed-media artwork compared to the other seasons.

    Some screenshots for this episode:

    With these screenshots alone, it’s hard to convince someone that this is anime. Monogatari Series really stands out because of this and this is why I really love this series.


  • Wait. It’s out already?!

    edit: It’s 30 minutes long. It starts with a live action shot of an egg cracking. That’s how you know it’s good.

    It retains a lot of what I love about the Monogatari series. Lengthy dialogue paired with its unique visual style that sets it apart from a lot of anime. It still has that really harsh and bloomy lighting style that creates weird geometry from shadows, the space around the characters are surreal, the style of animation interchanges, and the cuts are quick.

    I think the music is a bit different from what we usually had though but a lot of sound effects (like when the characters talk sometimes) are still there.

    Nadeko really changed a lot. This shot explains it:

    She’s my second favorite character in the series so I’m happy we’re getting more of her especially since she’s the character who had some dramatic changes.

    The voice actors are great! We just saw Hayami Saori’s performance in Giji Harem and her emotionless monotone voice as Ononoki sets the role apart. Everyone sounds just as they did over a decade ago (especially Hanazawa Kana whose voice is unforgettable!).

    We didn’t get an opening theme yet but we do have the ED theme with Yoasobi’s performance and Hajime Ueda’s illustrations of the characters.

    I’ve never read the novels, so I couldn’t tell whether the adaption is faithful or not.

    A pleasant Sunday morning!

    Here’s a compilation of some of my favorite shots (in a spoiler tag so it doesn’t take up the entire page):

    spoiler

    Nadeko’s room is different than it was before. Now she has large shelves of manga and her bed blocks the entrance door.

    This one was really well done! It shows the passage of time in an animated comic book frame.

    I remember this setting when Hitagi pushes Koyomi over and uses the Eye of Horus to count the number of girls Koyomi hung out with that day (including Kanbaru’s Grandmother). There are also other memorable locations like the park.

    Platinum Disco dance:

    I love this heat map image. Ononoki is a doll so it would make sense that she’s “cold”.

    … and many many more.

    PEAK CINEMA


  • I just finished the manga the other day so it’s still fresh in my mind. I wasn’t expecting Hayami Saori as Nanakura but it was a pleasant surprise. She’s played a really wide range of characters so it’s fun to see her in a role that does… exactly that.

    Okay, for the actual Giji Harem: CUTE! They’re both just teasing each other throughout the episode. It’s really playful and funny at times. Not much else to say yet since we’re only establishing the characters.

    Can’t wait for the rest of the episodes!





  • I have only one more movie left to watch from Satoshi Kon. I’ve seen all of his other works. The most recent one being Tokyo Godfathers which steered a bit away from what we normally see from Kon. This one is probably the most “normal” of his works but I guess the charm of it comes from its characters (a runaway child, an alcoholic man, a transgender woman) all of whom are homeless appearing to be like a nuclear family. It’s pretty rare to see such characters in a more grounded Tokyo in the anime medium but they aren’t accurate depictions of homelessness either, nor did that seem to be the point of the movie. I also liked how pieces of Paranoia Agent are visible here (or the other way around).

    I’m excited to watch Paprika later today or this week. That should wrap up my Satoshi Kon viewing experience. After that, I’m not sure if I should also complete the works of other anime directors. Maybe Hideaki Anno next?