There wasn’t a single news story that I wanted to highlight here, but rather to collect several smaller bits of news together in the same place. Production issues seem to be plaguing multiple shows at the moment:
- Jujutsu Kaisen and Mappa have had some high profile issues with the tight production timelines which has led to delays in distribution in some cases.
- Butareba’s 9th episode was announced to be delayed for one week. In its broadcast slot, they will instead re-air episode 8.
- The Vexations of a Shut-In Vampire Princess’s 9th episode was also delayed a week. In its broadcast slot, they are planning on airing a recap special.
All these issues in the current season are in addition to the continued delay of Zom 100 which is slated to air its final episodes in one batch on December 25th. Also, not to mention delays that were present in previous seasons to shows like Nier and Uncle from Another World.
For additional context on some of the issues, there have been industry professionals speaking out about some systemic problems.
- The founder of Mappa and Madhouse Studios, Masao Maruyama, spoke in an interview about how the industry’s focus on commercialization has hurt creative expression and storytelling. (I am ignoring the China portions of this interview as I don’t think they are nearly as important as he does).
- More recently, Nishii Terumi (former animation director for JJK 0 and Jojo), posted to twitter (stop trying to make X happen) about problems training talent (English article) due to studios focusing on profits rather than talent development.
I don’t have much to add to this. I wanted to try to find a good summary article to share about the topic, but couldn’t find much. So, instead, just kind of made a cliff’s notes version here. I just wanted to keep people here in the loop with stuff.
I also agree as until China is free from it’s authoritarian regime it will never be able to achieve full potential of creative expression
Yeah, he qualifies his statement similarly. From the article:
I think he believes the loosening of restrictions in China to be more likely than I do. Frankly, I don’t see this as likely in the foreseeable future. To the point that I don’t think this should even be a point of discussion. I agree with his points about focusing too much on commercialization and profit margin maximization within the Japanese animation industry, but his statements about China are what the media ran with (talk about profit maximization).